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In the space of two albums, Craig David has undergone a remarkable transformation from young upstart to a maturity that seems to have arrived far too soon.
The chocolate-smooth voice remains, but where songs such as Fill Me In were high on anticipation, The Story Goes picks over relationship problems and failings - no more "bo selecta" here, as the singer makes an over-calculated bid for the US market.
This makes for soulful music, crucially lacking much of the soul. Thus the confessional Don't Love You No More (I'm Sorry) proceeds with too little regret. One Last Dance documents the end of a seemingly dangerous dalliance with another woman, as Craig sings, "Both of us know we've done wron |
