1. Maybe Memories
2. Taste of Ink
3. Bulimic
4. Say Days Ago
5. Poetic Tragedy
6. Buried Myself Alive
7. Box Full of Sharp Objects
8. Blue and Yellow
9. Greener With the Scenery
10. Noise and Kisses
11. On My Own
12. Pieces Mended
13. [Dub]
My good friend Jo had been elbowing me about a
four-piece called Used some time ago. For the record, Jo is a
friend with a nose for good music. So when he deliberated on a Utah quartet
being a "cool post hardcore/emo" band, it was not quite enough to excite me
to pay immediate attention.
Several months on and it's Used features galore. Every
magazine I pick up, every website I visit is awash with Used. Each time I
came across them and nonchalantly flipped the page, the more I came across
them.
Hell, I thought - just read it. It turns out that Used frontman Bert McCracken
dates Kelly Osbourne. And he's a self-confessed former meths addict in a band
which has been lopped into the "One of America's hottest Acts" category. For those who are prone to musical apathy, hence not
being clued up to such news as Used (myself included), eyebrows beg to
be raised.
Or do they? One listen to their eponymous debut brings close
encounters of the Incubus / Lostprophets kind, largely due to
McCracken's similar sounding vocals.
Numbers such as Taste Of Ink and the single
Buried Myself Alive hail from the Linkin Park school of mosh-themic
angst, while A Box Full Of Objects showcases a radio friendly clash of
melodic hardcore, a la Glassjaw.
This is where the disappointment lies with Used.
McCracken's honest lyrics (drawing on confronting addiction on Bulimic, and
heartbreak on Greener With The Scenery) are betrayed by the lack of musical
originality. But it is well arranged and crisply produced, with
some tight layers of samples, overdubs and strings.
They will be assured status at least by the
floor-filling pull of their album - not to mention McCracken's relationship
with Miss Osbourne. Perhaps they'll be on the Ozzfest tour this year.
Classing Used in a genre would perhaps be the easy
thing to do, so I'll leave it to the band's own web biography - "palpable in
a spray of crashing rhythms, sublime melodies, candid lyrics, dynamic vocals
and, natch, big guitars."
The jury's out on that one. One can't help thinking
it's a palpable formula which has been used one too many times before.